TERROR HAS A NAME—MR. HONEYCUT Psychologist Merritt Bond believes she buried her troubled past when she left Mississippi and opened a practice out West. She thrives in her new life until she receives a disturbing call from her younger sister, Lilli Ann, who fears for her life. Merritt has no choice but to close her office and return home. Back in the place where her nightmares began, she not only rescues Lilli Ann, but is forced to confront her personal demons. The old Bond homestead reeks with the stifling odor of roses. Their scent stirs Merritt's memories of a dark figure she calls Mr. Honeycut, and how he slid down the hall into her bedroom night after night. The words to "Sweet Rose of Sharon" and the cloying scent of rose water perfume invades her brain, and she remembers the time he left behind a trophy, a pair of dirty panties belonging to someone else. Not realizing what she had, Merritt stuffed the panties into the pouch of her teddy bear, Foffy Bear, and stashed him in her secret place. Returning to Mississippi, she retrieves evidence of her molestation and risks her life to unravel the secrets hidden deep inside her own broken psyche.
“With every year that goes by, I feel more relaxed doing what I do. Choosing who deserves to die is still what takes the most time. The actual execution, however, seems to get easier with each one. The danger is getting careless. The bus driver’s death last year was perfect; nobody saw it or suspected that I was on the bus. I could feel him dying when his blood came gushing out on my hand. I need to control myself. The pleasure of destroying a useless life can cause me to stop being rational, and that could be my downfall.”
Always in August, when cold rain numbs desires, someone dies without explanation. The dread spreads and drives away tourists. Everyone wants to help: the retired police chief who has been delegated, the lawyer who admires Machado de Assis, the Old Atheist drunk, the Frenchwomen couple in the restaurant, the Czech who photographs doors and windows and even the woman who sells churros, but the secret is saved. Only one person is able to decipher the clues that can lead to the killer.
Marcelo Antinori is a Brazilian author currently living in Washington, DC. He has traveled all over the world overseeing social and economic projects. His experiences with different people and cultures are what allows him to create such unique and exotic characters.
Antinori is the author of The Last Flight of the Condor, The Hungarian Who Left Without Warning, Nine Stories of the Glass Mermaid, and The Bride of Paraty. He writes in English,
Spanish, and Portuguese.
From the critically acclaimed writer of A Different Sun, a Southern coming-of-age novel that sets three very different young people against the tumultuous years of the American civil rights movement...
Tacker Hart left his home in North Carolina as a local high school football hero, but returns in disgrace after being fired from a prestigious architectural assignment in West Africa. Yet the culture and people he grew to admire have left their mark on him. Adrift, he manages his father's grocery store and becomes reacquainted with a girl he barely knew growing up.
Kate Monroe's parents have died, leaving her the family home and the right connections in her Southern town. But a trove of disturbing letters sends her searching for the truth behind the comfortable life she's been bequeathed.
On the same morning but at different moments, Tacker and Kate encounter a young African-American, Gaines Townson, and their stories converge with his. As Winston-Salem is pulled into the tumultuous 1960s, these three Americans find themselves at the center of the civil rights struggle, coming to terms with the legacies of their pasts as they search for an ennobling future.
Former law professor Tom McMurtrie has brought killers to justice, and taken on some of the most infamous cases in Alabama’s history. Now he’s tackling his greatest challenge.
McMurtrie’s old nemesis, Jack Willistone, is found dead on the banks of the Black Warrior River. Willistone had his share of enemies, but all evidence points to a forgotten, broken woman as the killer. At the urging of the suspect’s desperate fourteen-year-old daughter, McMurtrie agrees to take the case.
But as seasoned as McMurtrie is, even he isn’t prepared for how personal and dangerous this case is going to get. With the trial drawing near and his sharp young partner, Rick Drake, dealing with a family tragedy, he recruits his best friend, Bocephus Haynes, to help investigate.
As key witnesses disappear and old demons return, time becomes McMurtrie’s most fearsome opponent. Soon loyalties will be tested and the boundaries of law will be broken as McMurtrie fights to save his legacy—and his client’s life—before the truth is buried forever in the muddy waters of the Black Warrior.
Fifty-year-old Karen Anders, a high school English teacher and the adoptive mother of Tiffany, comes to terms with being a single-parent and a clumsy drunk in the multicultural melting pot of Houston, Texas, as she forges an unlikely friendship with Leona Supak, a WWII Hungarian refugee, who inspires Karen to change her views on motherhood, drinking, and men.
Karen’s teaching job provides an ongoing challenge with low scoring students and a lack of support from school administrators. Meanwhile, Tiffany moves to Austin to attend the University of Texas, but soon neglects her academic life when she meets a gamer boyfriend and begins a job at the Ink & Juice, a tattoo parlor-juicing bar. Tiffany hides the truth of her new life from Karen through a text-only relationship. Feeling rejected, Karen explores the paradox of romance for the middle-aged. Despite the challenges, a family unit comes together inspired by strangers and second chances in How We Came to Be.
The true story of a love affair between two extraordinary women becomes a literary tour deforce in this novel that recreates the surrealist movement in Paris and the horrors of the two world wars with a singular incandescence and intimacy.
In the years preceding World War I, two young women meet, by chance, in a provincial town in France. Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail.
Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy.
Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.
"I can’t remember the last time I read a book I wish so much I’d written. Treeborne is beautiful, and mythic in ways I would never have been able to imagine...I can’t say enough about this book."―Daniel Wallace, national bestselling author of Extraordinary Adventures and Big Fish: A Novel of Mythic Proportions
Janie Treeborne lives on an orchard at the edge of Elberta, Alabama, and in time, she has become its keeper. A place where conquistadors once walked, and where the peaches they left behind now grow, Elberta has seen fierce battles, violent storms, and frantic change―and when the town is once again threatened from without, Janie realizes it won’t withstand much more. So she tells the story of its people: of Hugh, her granddaddy, determined to preserve Elberta’s legacy at any cost; of his wife, Maybelle, the postmaster, whose sudden death throws the town into chaos; of her lover, Lee Malone, a black orchardist harvesting from a land where he is less than welcome; of the time when Janie kidnapped her own Hollywood-obsessed aunt and tore the wrong people apart.
As the world closes in on Elberta, Caleb Johnson’s debut novel lifts the veil and offers one last glimpse. Treeborne is a celebration and a reminder: of how the past gets mixed up in thoughts of the future; of how home is a story as much as a place.
From the author of the USA TODAY bestseller The Hideaway comes a new story about families and mending the past.
Betsy and Ty Franklin, owners of Franklin Dairy Farm in southern Alabama, have long since buried their desire for children of their own. While Ty manages their herd of dairy cows, Betsy busies herself with the farm’s day-to-day operations and tries to forget her dream of motherhood. But when her free-spirited sister, Jenna, drops off her two young daughters for “just two weeks,” Betsy’s carefully constructed wall of self-protection begins to crumble.
As the two weeks stretch deeper into the Alabama summer, Betsy and Ty learn to navigate the new additions in their world—and revel in the laughter that now fills their home. Meanwhile, record temperatures promise to usher in the most active hurricane season in decades.
Attending an art retreat four hundred miles away, Jenna is fighting her own battles. She finally has time and energy to focus on her photography, a lifelong ambition. But she wonders how her rediscovered passion can fit in with the life she’s made back home as a single mom.
When Hurricane Ingrid aims a steady eye at the Alabama coast, Jenna must make a decision that will change her family’s future, even as Betsy and Ty try to protect their beloved farm and their hearts. Hurricane Season is the story of one family’s unconventional journey to healing—and the relationships that must be mended along the way.
Magnolia Porter has spent the entirety of her twenty-four years satisfying her mother’s guilt. She was the good girl to her trouble making brother, Lucian – the one left behind to hold her mother together after he died. She is an invisible girl in a small town carrying the burden of her family’s loss and pain. Maggie was nobody trying desperately to be somebody.
Cotton MacKenna is the one with the temper. Of the five MacKenna boys, he’s the one most likely to throw the first punch. Never mind all those fights were a decade ago, all in an attempt to save a sweet girl from her bullying older brother. Now, Cotton has grown up, with his own photography business, yet as the fourth in the line of MacKennas, he would only ever be known for his past. Time for a change.
Maggie and Cotton are more than the labels placed on them, put there by their families, the town, and themselves.
A meddling best friend. Bluegrass jams. Small town gossiping. Love, loss, and family ties. Learning how to be who you are outside of who you were told to be. With humor and plenty of romance, of course.
Ten years after it was first announced, Dzanc is proud to deliver the lost novel from a master of the Southern Gothic―the work William Gay fans have anticipated for a decade.
Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the Navy, and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying.
On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D.L. Harkness, a predator in all the ways there are. Hounded at every turn by scams, vigilantes, grievous loss, and unspeakable violence, Edgewater navigates the long road home, searching for a place that may be nothing but memory.
Hailed as “a seemingly effortless storyteller” by the New York Times Book Review and “a writer of striking talent” by the Chicago Tribune, William Gay, with this long-awaited novel, secures his place alongside Faulkner, O’Connor, and McCarthy as one of the greatest novelists in the Southern Gothic tradition.
“The Summer Wives is an exquisitely rendered novel that tackles two of my favorite topics: love and money. The glorious setting and drama are enriched by Williams’s signature vintage touch. It’s at the top of my picks for the beach this summer.”—Elin Hilderbrand, author of The Perfect Couple
New York Times bestselling author Beatriz Williams brings us the blockbuster novel of the season—an electrifying postwar fable of love, class, power, and redemption set among the inhabitants of an island off the New England coast . . .
In the summer of 1951, Miranda Schuyler arrives on elite, secretive Winthrop Island as a schoolgirl from the margins of high society, still reeling from the loss of her father in the Second World War. When her beautiful mother marries Hugh Fisher, whose summer house on Winthrop overlooks the famous lighthouse, Miranda’s catapulted into a heady new world of pedigrees and cocktails, status and swimming pools. Isobel Fisher, Miranda’s new stepsister—all long legs and world-weary bravado, engaged to a wealthy Island scion—is eager to draw Miranda into the arcane customs of Winthrop society.
But beneath the island’s patrician surface, there are really two clans: the summer families with their steadfast ways and quiet obsessions, and the working class of Portuguese fishermen and domestic workers who earn their living on the water and in the laundries of the summer houses. Uneasy among Isobel’s privileged friends, Miranda finds herself drawn to Joseph Vargas, whose father keeps the lighthouse with his mysterious wife. In summer, Joseph helps his father in the lobster boats, but in the autumn he returns to Brown University, where he’s determined to make something of himself. Since childhood, Joseph’s enjoyed an intense, complex friendship with Isobel Fisher, and as the summer winds to its end, Miranda’s caught in a catastrophe that will shatter Winthrop’s hard-won tranquility and banish Miranda from the island for nearly two decades.
Now, in the landmark summer of 1969, Miranda returns at last, as a renowned Shakespearean actress hiding a terrible heartbreak. On its surface, the Island remains the same—determined to keep the outside world from its shores, fiercely loyal to those who belong. But the formerly powerful Fisher family is a shadow of itself, and Joseph Vargas has recently escaped the prison where he was incarcerated for the murder of Miranda’s stepfather eighteen years earlier. What’s more, Miranda herself is no longer a naïve teenager, and she begins a fierce, inexorable quest for justice for the man she once loved . . . even if it means uncovering every last one of the secrets that bind together the families of Winthrop Island.
Twenty-nine-year-old Abraham Lincoln has spent his entire adult life running from his past―from the poverty of the dirt-floor log cabin where he was raised, from the dominion of his uneducated father, and from a failed early courtship. But now, Lincoln’s past is racing back to haunt him.
It is the summer of 1838, and Springfield is embroiled in a tumultuous, violent political season. All of Springfield’s elite have gathered at a grand party to celebrate the Fourth of July. Spirits are high―until a prominent local politician is assassinated in the midst of fireworks. When his political rival is arrested, young lawyer Lincoln and his best friend Joshua Speed are back on the case to investigate.
It’s no ordinary trial, however, as Lincoln and Speed soon face unwelcome complications. Lincoln’s ne’er-do-well father and stepbrother appear in town and threaten Lincoln’s good name and political future. And before long, anonymous letters start appearing in the local newspapers, with ominous threats that make Lincoln fear for himself and his loved ones.
As the day of reckoning arrives, the threats against Lincoln continue to escalate. Lincoln and Speed must identify the culprit and fast, before Lincoln loses the race to outrun his past in Final Resting Place, the brilliant third installment of Jonathan F. Putnam’s acclaimed Lincoln and Speed mysteries.
Frye Gaillard has given us a deeply personal history, bringing his keen storyteller’s eye to this pivotal time in American life. He explores the competing story arcs of tragedy and hope through the political and social movements of the times ― civil rights, black power, women’s liberation, the War in Vietnam, and the protests against it. But he also examines the cultural manifestations of change ― music, literature, art, religion, and science ― and so we meet not only the Brothers Kennedy, Martin Luther King Jr and Malcolm X, but also Gloria Steinem, Janis Joplin, Jimi Hendrix, Johnny Cash, Harper Lee, Mister Rogers, Rachel Carson, James Baldwin, Andy Warhol, Billy Graham, Thomas Merton, George Wallace, Richard Nixon, Angela Davis, Barry Goldwater, the Beatles, Bob Dylan, and the Berrigan Brothers.
“There are many different ways to remember the sixties,” Gaillard writes, “and this is mine. There was in these years the sense of a steady unfolding of time, as if history were on a forced march, and the changes spread to every corner of our lives. As future generations debate the meaning of the decade, I hope to offer a sense of how it felt to have lived it. A Hard Rain is one writer’s reconstruction and remembrance of a transcendent era ― one that, for better or worse, lives with us still.”
The explosive new thriller series written by Nicholas Irving, the New York Times bestselling author of The Reaper and star of Fox's American Grit.
American hero, or unhinged vigilante?
In Reaper: Ghost Target, Vick "The Reaper" Harwood is an esteemed sniper with a record kill count―33 kills in 90 days―when he is knocked out under mortar attack in Afghanistan. He wakes up back in the United States with little memory of what happened, his spotter and gun both unrecovered from the battlefield. Harwood has resigned himself to slowly picking up the pieces of his life, training Special Forces snipers in Fort Bragg, North Carolina, and starting a promising relationship with an Olympic medalist named Jackie.
But when a series of assassinations start occurring in the area, Harwood can't explain why he just happens to be nearby for each killing―or how a sniper rifle that matches the description of the one he lost seems to be involved. His memory of the past few days is hazy and full of blackouts, and even he has to wonder, is he being framed? Or is he the killer?
As Harwood runs from the authorities, his girlfriend falls off the radar, his missing spotter resurfaces, and the assassinated men are outed as drug and sex traffickers. Nothing is adding up. Harwood realizes he has to unravel this mystery, and fast, or find himself paying the ultimate price for crimes he may not have committed.
The bestselling author of The Paris Wife returns to the subject of Ernest Hemingway in a novel about his passionate, stormy marriage to Martha Gellhorn—a fiercely independent, ambitious young woman who would become one of the greatest war correspondents of the twentieth century
In 1937, twenty-eight-year-old Martha Gellhorn travels alone to Madrid to report on the atrocities of the Spanish Civil War and becomes drawn to the stories of ordinary people caught in the devastating conflict. It’s the adventure she’s been looking for and her chance to prove herself a worthy journalist in a field dominated by men. But she also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man on his way to becoming a legend.
In the shadow of the impending Second World War, and set against the turbulent backdrops of Madrid and Cuba, Martha and Ernest’s relationship and their professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man’s wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that could force her to break his heart, and hers.
Heralded by Ann Patchett as “the new star of historical fiction,” Paula McLain brings Gellhorn’s story richly to life and captures her as a heroine for the ages: a woman who will risk absolutely everything to find her own voice.
From the New York Times bestselling author of The Weekenders comes a delightful new novel about new love, old secrets, and the kind of friendship that transcends generations.
When ninety-nine-year-old heiress Josephine Bettendorf Warrick summons attorney Brooke Trappnell to her 20,000 acre barrier island home, Brooke is puzzled. Everybody in the South has heard about the eccentric millionaire mistress of Talisa, but Brooke has never actually met her. Josephine’s cryptic note says she wants to discuss an important legal matter, but why enlist Brooke and not the prestigious Atlanta law firm she has used for years? Brooke travels to Shellhaven and meets the cagey Josephine, whose home is a crumbling pink mansion at the edge of the turquoise sea.
Over the course of a few meetings, Josephine spins a tale of old friendships, dark secrets, betrayal, and a long-unsolved murder. She is hiring Brooke for two reasons: first, to protect her island from those who would despoil her land, and second, to help her make amends with the heirs of the women who were her closest friends, the girls of The High Tide Club―so named because of their youthful skinny dipping escapades―Millie, Ruth, and Varina. To fulfill a dying woman’s wishes, Brooke must find Josephine’s friends’ descendants and bringing them together on Talisa for a reunion of women who’ve actually never met. But in doing so, Brooke unleashes the makings of a scandal that could make someone rich beyond their wildest dreams…or cause them to be in the crosshairs of a murderer….
The High Tide Club is Mary Kay Andrews at her Queen of the Beach Reads best: a story shrouded in mystery, Spanish moss, verandah cocktails, 1940s dinner dances, love lost, and possibly…love found.
From the New York Times bestselling author of The Mountain Between Us comes a new, spellbinding story of buried secrets, lost love, and the promise of second chances.
Allie is still recovering from the loss of her family’s beloved waterfront restaurant on Florida’s Gulf Coast when she loses her second husband to a terrifying highway accident. Devastated and losing hope, she shudders to contemplate the future—until a cherished person from her past returns.
Joseph has been adrift for many years, wounded in both body and spirit and unable to come to terms with the trauma of his Vietnam War experiences. Just as he resolves to abandon his search for peace and live alone at a remote cabin in the Carolina mountains, he discovers a mother and her two small children lost in the forest. A man of character and strength, he instinctively steps in to help them get back to their home in Florida. There he will return to his own hometown—and witness the accident that launches a bittersweet reunion with his childhood sweetheart, Allie.
When Joseph offers to help Allie rebuild her restaurant, it seems the flame may reignite—until a 45-year-old secret from the past begins to emerge, threatening to destroy all hope for their second chance at love.
In Send Down the Rain, Charles Martin proves himself to be a storyteller of great wisdom and compassion who bears witness to the dreams we cherish, the struggles we face, and the courage we must summon when life seems to threaten what we hold most dear.
The publication of Go Set a Watchman in 2015 forever changed how we think about Atticus Finch. Once seen as a paragon of decency, he was reduced to a small-town racist. How are we to understand this transformation?
In Atticus Finch, historian Joseph Crespino draws on exclusive sources to reveal how Harper Lee's father provided the central inspiration for each of her books. A lawyer and newspaperman, A. C. Lee was a principled opponent of mob rule, yet he was also a racial paternalist. Harper Lee created the Atticus of Watchman out of the ambivalence she felt toward white southerners like him. But when a militant segregationist movement arose that mocked his values, she revised the character in To Kill a Mockingbird to defend her father and to remind the South of its best traditions. A story of family and literature amid the upheavals of the twentieth century, Atticus Finch is essential to understanding Harper Lee, her novels, and her times.
Tickets are $35 and include an autographed copy of the book. Purchase tickets in store or at Eventbrite below.
From the beloved, best-selling author of All Over but the Shoutin', a delectable, rollicking food memoir, cookbook, and loving tribute to a region, a vanishing history, a family, and, especially, to his mother. Including seventy-five mouthwatering Bragg family recipes for classic southern dishes passed down through generations.
Margaret Bragg does not own a single cookbook. She measures in "dabs" and "smidgens" and "tads" and "you know, hon, just some." She cannot be pinned down on how long to bake corn bread ("about 15 to 20 minutes, depending on the mysteries of your oven"). Her notion of farm-to-table is a flatbed truck. But she can tell you the secrets to perfect mashed potatoes, corn pudding, redeye gravy, pinto beans and hambone, stewed cabbage, short ribs, chicken and dressing, biscuits and butter rolls. Many of her recipes, recorded here for the first time, pre-date the Civil War, handed down skillet by skillet, from one generation of Braggs to the next. In The Best Cook in the World, Rick Bragg finally preserves his heritage by telling the stories that framed his mother's cooking and education, from childhood into old age. Because good food always has a good story, and a recipe, writes Bragg, is a story like anything else.
Pat Conroy's memoirs and autobiographical novels contain a great deal about his life, but there is much he hasn't revealed to readers--until now. My Exaggerated Life is the product of a special collaboration between this great American author and oral biographer Katherine Clark, who recorded two hundred hours of conversations with Conroy before he passed away in 2016. In the spring and summer of 2014, the two spoke for an hour or more on the phone every day. No subject was off limits, including aspects of his tumultuous life he had never before revealed.
This oral biography presents Conroy the man, as if speaking in person, in the colloquial voice familiar to family and friends. This voice is quite different from the authorial style found in his books, which are famous for their lyricism and poetic descriptions. Here Conroy is blunt, plainspoken, and uncommonly candid. While his novels are known for their tragic elements, this volume is suffused with Conroy's sense of humor, which he credits with saving his life on several occasions.
The story Conroy offers here is about surviving and overcoming the childhood abuse and trauma that marked his life. He is frank about his emotional damage--the depression, the alcoholism, the divorces, and, above all, the crippling lack of self-esteem and self-confidence. He also sheds light on the forces that saved his life from ruin. The act of writing compelled Conroy to confront the painful truths about his past, while years of therapy with a clinical psychologist helped him achieve a greater sense of self-awareness and understanding.
As Conroy recounts his time in Atlanta, Rome, and San Francisco, along with his many years in Beaufort, South Carolina, he portrays a journey full of struggles and suffering that culminated ultimately in redemption and triumph. Although he gained worldwide recognition for his writing, Conroy believed his greatest achievement was in successfully carving out a life filled with family and friends, as well as love and happiness. In the end he arrived at himself and found it was a good place to be.
From Watt Key, the author of the acclaimed Alabama Moon, comes a thrilling middle grade survival story about a scuba dive gone wrong and two enemies who must unite to survive.
It's the most important rule of scuba diving: If you don't feel right, don't go down.
So after her father falls ill, twelve-year-old Julie Sims must take over and lead two of his clients on a dive miles off the coast of Alabama while her father stays behind in the boat. When the clients, a reckless boy Julie's age and his equally foolhardy father, disregard Julie's instructions during the dive, she quickly realizes she's in over her head.
And once she surfaces, things only get worse: One of the clients is in serious condition, and their dive boat has vanished―along with Julie's father, the only person who knows their whereabouts. It's only a matter of time before they die of hypothermia, unless they become shark bait first. Though Julie may not like her clients, it's up to her to save them all.
In the tradition of fishing classics, A Naturalist Goes Fishing combines elements of the triumph between fisher and fish, humor and wit, and a passionate concern for the natural environment.
James McClintock takes us to some of the most breathtaking waters the world has to offer while capturing the drama and serendipity in the beloved sport of fishing. We follow him and his fishing buddies and professional guides, as he fishes off the marshy barrier islands of Louisiana, teeming with life but also ravaged by recent disasters like the Deepwater Horizon spill. We travel to the remote waters of New Zealand's Stewart Island, where the commercial fishing industry is fast disappearing; fish for gigantic Antarctic toothfish through a drilled ice hole at McMurdo Station; and scout for spotted bass on Alabama's Cahaba River, which has the highest diversity of fresh water fish in North America. As we take this global journey, we see how sea level rise, erosion, pollution, water acidification, and overfishing each cause damage.
This strikingly beautiful narrative is a must read for anglers and nature lovers alike.
“City of Grudges captures my hometown of Pensacola, Florida, much the same way Midnight in the Garden of Good and Evil immortalized Savannah.” ―Joe Scarborough, Host of MSNBC’s Morning Joe, former congressman (R-FL)
For the past decade Walker Holmes has published the Pensacola Insider, an alt-weekly that struggles to stay solvent while reporting on corruption, racism, and injustice in Pensacola, where progress has been stonewalled for generations. When Holmes publishes an article revealing that Bo Hines, one of Pensacola’s most beloved figures, has been stealing funds from the Arts Council, he may have gone too far. As tensions build, Hines’s wife is found dead, and half the town, including the corrupt sheriff, think Holmes is responsible. Holmes is determined to bring the truth to light, but what he uncovers is more than he bargained for. In order to solve the mystery, he has to unravel the many toxic and enduring grudges poisoning Pensacola―and before it’s too late. In City of Grudges, publisher and reporter Rick Outzen writes straight from the heart in his stories based on own experience.
K.L. Cook and Charissa Menefee are current writers in residence at Wolfe Cottage.
K. L. Cook is the author of three award-winning books of fiction: Last Call, winner of the Prairie Schooner Book Prize; The Girl from Charnelle, a novel that won the Willa (Cather) Award in Contemporary Fiction; and Love Songs for the Quarantined, winner of the Spokane Prize for Short Fiction. His work has been published widely in literary journals, magazines, and anthologies, including Best of the West, Best American Mystery Stories, Glimmer Train, American Short Fiction, The Threepenny Review, One Story, Poets & Writers, and The Harvard Review. He teaches in the MFA Program in Creative Writing & Environment at Iowa State University and the low-residency MFA in Writing Program at Spalding University in Louisville, Kentucky. For more information, seewww.klcook.net.
Charissa Menefee is a poet, playwright, director, and performer. When I Stopped Counting is available from Finishing Line Press, and her poetry can also be found in Adanna, Poetry South, Terrene, Poets Reading the News, The Paddock Review, Twyckenham Notes, and Telepoem Booths. A finalist for the Julie Harris Playwright Award, she has had plays honored by the Utah Shakespeare Festival’s New American Playwrights Project, Pandora Festival of New Plays, Tennessee Women’s Theatre Project, and City of Charleston Literary Arts Awards. Recent productions and readings include Our Antigone (Story Theatre Co., IA), Sarah's Poem (Rover Dramawerks, TX), How Long is Fifteen Minutes? (Women's Work Festival, TN), and Your Soup, Sir (Paula Vogel's Ubu Roi Bake-Off, MN). She is on the faculty of the MFA Program in Creative Writing & Environment at Iowa State University.
The magician's job is to create a mystery―an unbridgeable gap between cause and effect. Michael Kardos brilliantly constructs his new novel Bluff as a magician would, delivering a perfectly calibrated performance of intrigue and, ultimately, astonishment.
At twenty-seven, magician Natalie Webb is already a has-been. A card-trick prodigy, she started touring at seventeen, took first place at the World of Magic competition at eighteen, and never reached such heights again. Shunned by the magic world after a disastrous liaison with an older magician, she now lives alone with her pigeons and a pile of overdue bills in a New Jersey apartment. In a desperate ploy to make extra cash, she follows up on an old offer to write a feature magazine article―on the art of cheating at cards.
But when she meets the perfect subject for her article, what begins as a journalistic gamble brings into question everything Natalie thinks she knows about her talent, and herself. Natalie is dazzled by the poker cheat's sleight of hand and soon finds herself facing a proposition that could radically alter her fortune―to help pull off a $1.5 million magic trick that, if done successfully, no one will ever even suspect happened. With Kardos raising the stakes chapter after chapter, Bluff is a breathtaking work of suspense from a writer at the top of his game.
Optional lunch available for $10.
From the author of The Other Einstein, the mesmerizing tale of what kind of woman could have inspired an American dynasty.
Clara Kelley is not who they think she is. She's not the experienced Irish maid who was hired to work in one of Pittsburgh's grandest households. She's a poor farmer's daughter with nowhere to go and nothing in her pockets. But the other woman with the same name has vanished, and pretending to be her just might get Clara some money to send back home.
If she can keep up the ruse, that is. Serving as a lady's maid in the household of Andrew Carnegie requires skills he doesn't have, answering to an icy mistress who rules her sons and her domain with an iron fist. What Clara does have is a resolve as strong as the steel Pittsburgh is becoming famous for, coupled with an uncanny understanding of business, and Andrew begins to rely on her. But Clara can't let her guard down, not even when Andrew becomes something more than an employer. Revealing her past might ruin her future -- and her family's.
With captivating insight and heart, Carnegie's Maid tells the story of one brilliant woman who may have spurred Andrew Carnegie's transformation from ruthless industrialist into the world's first true philanthropist..
Dark River Rising is a tense and expertly-plotted mystery set against the bayous of Louisiana, from debut author Roger Johns.
Baton Rouge Police Detective Wallace Hartman has had better days. With her long-time partner and mentor on medical leave and a personal life in shambles, she’s called to the scene of a particularly gruesome murder: the body of a known criminal has been found in a deserted warehouse, a snake sewn into his belly. Obvious signs of torture point to a cunning and cold-blooded killer who will stop at nothing to find what he’s looking for.
When Federal Agent Mason Cunningham arrives on the scene, Wallace expects a hostile takeover of the case. But when a scientist with ties to the victim goes missing from a government lab, she needs Mason’s federal connections as much as he needs her local insight, and the two form an uneasy partnership to solve a case that grows more complicated―and dangerous―by the minute.
Meanwhile, the killer lurks in the shadows with an agenda no one saw coming, and when Wallace and Mason threaten to get in the way they risk losing everything they hold dear. Including their lives.
In Gods of Howl Mountain, award-winning author Taylor Brown explores a world of folk healers, whiskey-runners, and dark family secrets in the high country of 1950s North Carolina.
Bootlegger Rory Docherty has returned home to the fabled mountain of his childhood - a misty wilderness that holds its secrets close and keeps the outside world at gunpoint. Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.
In the mill town at the foot of the mountains - a hotbed of violence, moonshine, and the burgeoning sport of stock-car racing - Rory is bewitched by the mysterious daughter of a snake-handling preacher. His grandmother, Maybelline “Granny May” Docherty, opposes this match for her own reasons, believing that "some things are best left buried." A folk healer whose powers are rumored to rival those of a wood witch, she concocts potions and cures for the people of the mountains while harboring an explosive secret about Rory’s mother - the truth behind her long confinement in a mental hospital, during which time she has not spoken one word. When Rory's life is threatened, Granny must decide whether to reveal what she knows...or protect her only grandson from the past.
With gritty and atmospheric prose, Taylor Brown brings to life a perilous mountain and the family who rules it.
In the closing months of the Civil War, General James Wilson led a Union cavalry raid through Alabama and parts of Georgia. Wilson, the young, brash “boy general” of the Union, matched wits against Nathan Bedford Forrest, the South's legendary “wizard of the saddle.” Wilson's Raiders swept through cities like Selma, Tuscaloosa and Montgomery, destroying the last remaining industrial production centers of the Confederacy along with any hopes of its survival. Forrest and his desperately outnumbered cavalry had no option but to try to stop the Union's advance. Join Russell Blount as he examines the eyewitness accounts and diaries chronicling this defining moment in America's bloodiest war.
Spend some time with us at P&P this weekend from wherever you are in the world as we go live on Facebook at 2 p.m.
We are very excited to be a part of the #HarperCollinsLovesIndiesFacebook Live Program in 2018. They go live with a new store each Saturday, and we're thrilled to be invited to participate this weekend.
Building on the world first seen in The Last Child, The Hush is more than an exploration of friendship, persistence and forgotten power. It takes the reader to unexpected places, and reminds us all why John Hart is the author of five consecutive New York Times bestsellers.
When the Great Depression erupted, Mississippi had not yet recovered from the boll weevil or the Flood of 1927. Its land suffered from depleted forests and soil. Plus, the state had yet to confront the racial caste systems imprisoning poor whites, African Americans and other minorities. Nevertheless, innovative Mississippians managed to keep their businesses and services open. Meanwhile, President Franklin D. Roosevelt’s New Deal programs fostered economic stimulation within the state. Author Richelle Putnam also highlights the state’s spiritual and cultural giants, who rose from the nation’s poorest state to create a lasting footprint of determination, pride and hope during the Depression era.
Richelle Putnam is a Mississippi Arts Commission Teaching Artist/Roster Artist, a Mississippi Humanities Speaker and a 2014 MAC Literary Arts Fellowship recipient. Her YA biography, The Inspiring Life of Eudora Welty (The History Press, 2014), received the 2014 Moonbeam Children’s Book Awards Silver Medal. Putnam is also the author of Lauderdale County, Mississippi; a Brief History (The History Press, 2011) and coauthor of Legendary Locals of Meridian, Mississippi (Arcadia Publishing, 2013). The Mississippi Secretary of State’s office commissioned Richelle to write the history on the nine counties for the 2017 Mississippi bicentennial anniversary. Her literary work has been published in Pif magazine, the Copperfield Review, Birmingham Arts Journal and several bestselling anthologies. Her freelance articles can be found in Town & Gown magazine, Mississippi magazine, eat. drink. MISSISSIPPI, Parents & Kids, Well Being, Portico and Social South.
“More than any book I’ve read in the twenty-first century, Zachary Lazar’s Vengeancemakes the reader reckon with the questions of what’s real, what’s imagined, and why those questions matter more in 2017 than at any other time in our nation. . . . Vengeance reminds me of what is possible through deft, imaginative, ‘real’ storytelling.” ―Kiese Laymon, author of Long Division
Zachary Lazar’s powerful and important novel was inspired by a passion play, The Life of Jesus Christ, he witnessed at the Louisiana State Penitentiary at Angola. As someone who writes “fiction, nonfiction, sometimes a hybrid of both,” the narrator of Vengeance, a character much like Lazar himself, tries to accurately view a world he knows is “beyond the limits of my small understanding.” In particular, he tries to unravel the truth behind the supposed crime of an inmate he meets and befriends, Kendrick King, who is serving a life sentence at Angola for murder.
As the narrator attempts to sort out what happened in King’s life―paying visits to his devoted mother, his estranged young daughter and her mother, his girlfriend, his brother, and his cousin―the writer’s own sense of identity begins to feel more and more like a fiction. He is one of the “free people” while Kendrick, who studies theology and philosophy, will never get his only wish, expressed plainly as “I just need to get out of here.” The dichotomy between their lives forces the narrator to confront the violence in his own past, and also to reexamine American notions of guilt and penance, racial bias, and the inherent perversity of punitive justice.
It is common knowledge that we have an incarceration crisis in our country. Vengeance, by way of vivid storytelling, helps us to understand the failure of empathy and imagination that causes it.